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Habib Tanvir (1 September 1923 – 8 June 2009) was one of the most popular Indian Urdu playwrights, a theatre director, poet and actor. He was the writer of plays such as, Agra Bazar (1954) and Charandas Chor (1975). A pioneer in Urdu and Hindi theatre, he was most known for his work with tribals, at the Naya Theatre, a theatre company he founded in 1959 in Bhopal. He went on to include indigenous performance forms such as nacha, to create not only a new theatrical language, but also milestones such as Charandas Chor, Gaon ka Naam Sasural, Mor Naam Damad and Kamdeo ka Apna Basant Ritu ka Sapna. Habib Tanvir makes his final exit The Times of India, 9 June 2009. Contemporary Theatre McGraw-Hill encyclopedia of world drama, by Stanley Hochman, McGraw-Hill, inc. Published by Verlag für die Deutsche Wirtschaft AG, 1984. . Page 42. Habib Tanvir The Columbia encyclopedia of modern drama, by Gabrielle H. Cody, Evert Sprinchorn. Columbia University Press, 2007. . Page 1330
For him, true "theatre of the people" existed in the villages, which he strived to bring to the urban "educated", employing folk performers as actors alongside urban actors. Habib Tanvir Theatres of independence: drama, theory, and urban performance in India since 1947, by Aparna Bhargava Dharwadker. University of Iowa Press, 2005. . Page 115. He died on 8 June 2009 at Bhopal after a three-week illness. Noted playwright Habib Tanvir passes away at 85 Sify.com, 8 June 2009. Indian playwright Tanvir is dead BBC News, 9 June 2009. Upon his death, he was the last of pioneering actor-managers in Indian theatre, which included Sisir Bhaduri, Utpal Dutt and Prithviraj Kapoor, A Farewell To The Bard Of Bhopal Tehelka, Vol 6, Issue 24, Dated 20 June 2009. and often he managed plays with a mammoth cast, such as Charandas Chor (Charandas the thief), which included an orchestra of 72 people on stage and Agra Bazaar, with 52 people. Doyen holds forth The Hindu, 5 May 2007.
During his lifetime he won several national and international awards, including the Sangeet Natak Akademi Award in 1969, Jawarharlal Nehru Fellowship in 1979, Padma Shri in 1983, Kalidas Samman 1990, Sangeet Natak Akademi Fellowship in 1996, and the Padma Bhushan in 2002. He had also been nominated to become a member of the Upper House of Indian Parliament, the Rajya Sabha (1972–1978). His play Charandas Chor won him the Edinburgh Fringe at Edinburgh International Drama Festival in 1982, Naya Theatre and Habib Tanvir and in 2007, it was included in the Hindustan Times' list of 'India's 60 Best works since Independence which said: "an innovative dramaturgy equally impelled by Brecht and folk idioms, Habib Tanvir seduces across language barriers in this his all-time biggest hit about a Robin Hood-style thief." India's 60 best since Independence.He is dead 14 August 2007.
In 1954, he moved to New Delhi, and worked with Qudsia Zaidi's Hindustani Theatre, and also worked with Children's theatre, where he authored many plays. Later in the same year, he produced his first significant play Agra Bazar based on the works and times of the plebeian 18th-century Urdu poet, Nazir Akbarabadi, an older poet in the generation of Mirza Ghalib. For this play he brought together local residents and folk artistes from Okhla village in Delhi and students of Jamia Millia Islamia creating a palette never seen before in Indian theatre. Additionally, the play was not staged in a confined space, rather a bazaar, a marketplace. After this, he continued to work with non-trained actors and folk artistes like the folk artists of Chhattisgarh.
In his exploratory phase, i.e. 1970–73, he broke free from one more theatre restriction – he no longer made the folk artistes, who had been performing in all his plays, speak Hindi. Instead, the artistes switched to Chhattisgarhi, a local language they were more accustomed to. Later, he even started experimenting with "Pandavani", a folk singing style from the region and temple rituals. This made his plays stand out amidst the gamut of plays which still employed traditional theatre techniques like blocking movements or fixing lights on paper. Spontaneity and improvisation became the hallmark of his new theatre style, where the folk artistes were allowed greater freedom of expression.
His next venture with Chhattisgarhi Nach style, saw another breakthrough in 1972, with a staging of the play titled Gaon Ka Naam Sasural, Mor Naam Damaad. This was based on a comic folk tale, where an old man falls in love with a young woman, who eventually elopes with another young man. The Hindu, 2 January 2005
By the time he produced his seminal play, Charandas Chor in 1975, the technique became popular. This play immediately established a whole new idiom in modern India theatre; whose highlight was Nach – a chorus that provided commentary through song. He also brought in Govind Ram Nirmalkar, a noted Nacha artist who would later go on to win Padma Shri and Sangeet Natak Akademi Awards, to play the lead role. Later, he collaborated with Shyam Benegal, when he adapted the play to a feature-length film, by the same name, starring Smita Patil and Lalu Ram. He was awarded the prestigious Jawarharlal Nehru Fellowship in 1979 for research on Relevance of Tribal Performing Arts and their Adaptability to A changing Environment. In 1980, he directed the play Moti Ram ka Satyagraha for Janam (Jan Natya Manch) on the request of Safdar Hashmi.
During his career, Habib has acted in over nine feature films, including Richard Attenborough's film, Gandhi (1982), Black and White and in a yet-to-be-released film on the Bhopal gas tragedy.
His first brush with controversy came about in the 1990s, with his production of a traditional Chhattisgarhi play about religious hypocrisy, Ponga Pandit. The play was based on a folk tale and had been created by Chhattisgarhi theatre artists in the 1930s. Though he had been producing it since the sixties, in the changed social climate after the Babri Masjid demolition, the play caused quite an uproar amongst Hindu fundamentalists, especially the Rashtriya Swayamsewak Sangh (RSS), whose supporters disrupted many of its shows, and even emptied the auditoriums, yet he continued to show it all over. Ponga Pandit controversy
His Chhattisgarhi folk troupe, surprised again, with his rendition of Asghar Wajahat's Jisne Lahore Nahin Dekhya in 1992. Then in 1993 came Kamdeo Ka Apna Basant Ritu Ka Sapna, Tanvir's Hindi adaptation of Shakespeare's A Midsummer Night's Dream. Traveling Shakespeares in India In 1995, he was invited to the United States by the Chicago Actors Ensemble, where he wrote his only English language play, The Broken Bridge. In 2002, he directed Zahareeli Hawa, a translation of Bhopal by the Canadian-Indian playwright Rahul Varma, based on the Bhopal disaster. During his illustrious career he brought works from all genres to stage, from ancient Sanskrit works by Shudraka, Bhasa, Vishakhadatta and Bhavabhuti; to European classics by Shakespeare, Molière and Goldoni; modern masters Brecht, Garcia, Lorca, Gorky, and Oscar Wilde; Tagore, Asghar Wajahat, Shankar Shesh, Safdar Hashmi, Rahul Varma, stories by Premchand, Stefan Zweig and Vijaydan Detha, apart from an array of Chhattisgarhi folk tales.
among other national and international awards during his lifetime.
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